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Fine Editions Ltd
Books and Ephemera of Aesthetic Merit
Membership(s): IOBA
Beverley, Robert Histoire de la Virginie contenant, I. l’histoire du premier etablissement dans la Virginie, & de son gouvernement jusques à présent, II. les productions naturelles & les commoditez du païs, avant que es Anglois y negociassent, & l’améliorassent, III. la religion, les loix, & les coutumes des Indiens naturels, tant dans la guerre, que dans la paix, IV. l’etat présent du païs, tant à l’égard de la police, que de l’amelioration du païs
$949.00
Amsterdam: Chez Thomas Lombrail, marchand libraire, dans le Beurs-Straat, M D CC VII [1707]. Full Calf. First French-language Edition (another French language edition was printed in Orleans, but bearing a Paris imprint, the same year, with no priority definitively established), translated from the English, of the first history of the Virginia colony “and the best contemporary account of its aboriginal tribes and the life of its early settlers.” (Howes) 12mo (159 x 92mm): [6],433,[16]pp, with engraved title page (featuring coat of arms of Virginia),14 finely executed numbered plates based on engravings from De Bry’s Grand Voyages, and folding table (p. 433). Contemporary calf, spine richly gilt in six compartments between raised bands, red morocco lettering piece gilt. A handsome, well-preserved copy, tightly bound and clean throughout. This edition was in Thomas Jefferson’s library, at Monticello. Sabin 5116. Howe B-410. Church 821. JCB I 93. Goldsmiths’-Kress 4396. Geology Emerging 212. European Americana V, p. 436. Near Fine.
While in London, in 1705, Robert Beverley wrote and published The History and Present State of Virginia, one of the earliest printed English-language histories about North America by an author born there. Beverley was a scion of Virginia’s planter elite, at odds with royal governors in the colony. As a native-born American—most famously claiming “I am an Indian”—he provided English readers with the first thoroughgoing account of the province’s past, natural history, Indians, and current politics and society. Sabin calls Beverley the “best authority,” affording the “most vivid, comprehensive, instructive, and entertaining picture of Virginia at the date of his writing.” N. B. With few exceptions (always identified), we only stock books in exceptional condition, carefully preserved in archival, removable mylar sleeves. All orders are packaged with care and posted promptly. Satisfaction guaranteed. (Fine Editions Ltd is a member of the Independent Online Booksellers Association, and we subscribe to its codes of ethics.).
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Three Scarce Princeton Triangle Club Scores
Booth Tarkington, E. Harris Harbison, Erdman Harris, Eric Barnouw, et al Princeton University – The Triangle Club: Three Early Musical Scores, 1919–1928
$750.00Cincinnati and Princeton: The John Church Company and The Triangle Club of Princeton University, 1919-1928. 4to., 77 pp., 49 pp., 55 pp. Three volumes. Original pictorial wrappers. All very good or better copies, showing only mild wear and handling. A rare trio of early Princeton University Triangle Club musical scores, documenting one of America’s oldest and most storied collegiate theatrical traditions. Founded in 1891 [evolving from the earlier Princeton Dramatic Association], the Triangle Club quickly became a cultural institution—known for its original musical comedies, cross-country tours, and alumni who would go on to shape the American stage and screen. Included here are: The Hon. Julius Caesar [1919] – a ‘travesty with music’ revised by John Biggs, with lyrics by Erdman Harris, F. Warburton Guilbert, Booth Tarkington, Post Wheeler, and Edward Hope. OCLC records only three institutional holdings. Napoleon Passes [1927] – music and lyrics by E. Harris Harbison, Frank A. Baker, Austin P. Leland, and others. OCLC lists just seven copies worldwide. Zuider Zee [1928] – lyrics by Erik Barnouw and Joshua Logan. Logan, later a celebrated Broadway and Hollywood director (South Pacific, Mister Roberts), performed in this production, which toured major U.S. cities. OCLC notes only two holdings. Together, these volumes form a vivid snapshot of Jazz Age Princeton’s creative life between the wars, when Triangle productions launched the early careers of figures like Booth Tarkington, Logan, F. Scott Fitzgerald, and Jimmy Stewart. Their scarcity—each title surviving in only a handful of libraries—underscores both their ephemeral nature and their growing appeal to collectors of American collegiate theatre and cultural ephemera. Condition ranges from Very Good to Near Fine, with minor edgewear or small ownership marks noted. A handsome and historically important ensemble, seldom offered together, tracing the formative decades of Princeton’s legendary Triangle Club.
Offered for Sale by: 32.1 Rare Books + Ephemera -
Rare Bigfoot Movie poster
Slatzer, Robert F. (Director) Anthony Cardoza, Bill Reardon, & Herman Tomlin (Producers BIGFOOT, RARE 1970 MOVIE POSTER
$650.00Gene W. Baade Books on the West
RARE DRAMATIC BIGFOOT MOVIE POSTER, Ellman Film Enterprises. 1970. The over-the-top film, BIGFOOT, produced in 1970 by Anthony Cardoza and Bill Reardon, was panned by everyone, with virtually no one saying it was any good. One wag said that it would be the only opportunity to see John Carradine, Joi Lansing, Judy Jordan, John Mitchum, James Craig, and several other actors all together in one movie, so you better see it anyway! The only poster for this film that one finds for sale is the common one that you can buy on several websites for very little money. But that one is like cheap, 3-year old Scotch compared with 50-year old good stuff that you will find in Edinburgh whisky shops under lock and key and that I cannot afford. I frankly don’t know about this poster in terms of whether it was an advance or trial poster that didn’t make the cut, or wasn’t produced en masse for some other reason. It is far more classical in appearance than the cheap cartoonish one you can still get for a few bucks. Unrolled to a size of 27 ¼” x 39 ¾”, it takes up almost all of my golden oak antique kitchen table and half of my standard-size bed! It is professionally backed on linen. In spite of one long tear and several short tears, all of which are professionally and archivally repaired, this poster ends up being showy, good-looking, and impossible to ignore, a poster that would dominate the conversation of any beer and brats forest cookout-“Have you seen that poster?!” It will bust the balls of any hairy-chested man-cave dweller and, because it is also a “biker” film, salt the seats of Harley-Davidson rally-goers on their way to Sturgis! Bigfoot filmography author David Coleman in his massive book, 2012 book, The Bigfoot Filmography: Fictional and Documentary Appearances in Film and Television, devotes two quarto pages to description of the film. He includes these gems: “Bigfoot is perhaps the most entertainingly bad Bigfoot movie of the entire ‘cycle’ . . . given the strange blending of motorcycles, ridiculously bad Bigfoot costumes, has-been actors, bikini babes, and a mutant music score, the entire enterprise is truly a slow-paced, stupefying descent into all things torpid, but with a camp sensibility that redeems Bigfoot from total boredom. Then, from a historical perspective, he concludes: the film “marks the beginning of a new era in the genre that draws a clean dividing line between the earlier film incarnations of the ‘wild man’ cryptid appearing mostly in snow settings as a Yeti (and) set(s) the stage for the plethora of Big-foot focused movies to follow in the 1970s.” This is an essential poster for few people who have the wall-space to hang it. It would be one the poster you would frame and hang front and center over your giant fieldstone fireplace at one end of your room with the 20-foot vaulted ceiling. Unquestionably rare.
Offered for Sale by: Gene W. Baade Books on the West -
RARE FIRST EDITION OF FUGITIVE SLAVE NARRATIVE
Ball, Charles. SLAVERY IN THE UNITED STATES: A Narrative of the Life and Adventures of Charles Ball, a Black Man, Who lived forty years in Maryland, South Carolina and Georgia, as a Slave, under various masters, and was one year in the Navy, with Commodore Barney, during the late war.
$1,200.00Lewistown, PA: Printed and Published by John W. Shugert, 1836. First edition. The subtitle continues “Containing an account of the manners and usages of the Planters and Slaveholders of the South, a description of the condition and treatment of the Slaves, with observations upon the state of morals amongst the cotton planters, and the perils and sufferings of a fugitive slave, who twice escaped from the cotton country.” Rare first edition of this important slavery narrative by Ball, one which covers forty years of his life as a slave and his several escapes, an account reprinted many times through the 1850s under various titles. Born into slavery in Maryland around 1780, separated from his mother when he was four, he was owned by several different masters and lived in three states. Attempting escape on numerous occasions, he eventually succeeded and lived on a small farm until he was recaptured in 1830. However, he escaped again, and moved to Philadelphia, where he wrote this autobiography with the assistance of Isaac Fisher, a white lawyer. Fisher’s preface in which he acknowledges omitting or ‘carefully suppressing’ Ball’s opinions on slavery, cast some doubt upon the authenticity of this work, but the second edition, just one year later, included a statement from two prominent Pennsylvanians “that we know the black man whose narrative is given in this book, and have heard him relate the principal matters contained in the book concerning himself, long before the book was published.” Two page preface by Isaac Fisher. Errata list on verso of title page. 400 pp, Fair condition only in original boards, resewn and rebacked with dark brown goatskin, endpapers replaced. Significant rubbing and wear to the edges of the boards, tidemarks and foxing throughout. Loss of approximately half an inch to the bottom edge of the first leaf after the title (the preface).
Offered for Sale by: Bookfever.com -
Rare 1830 anti-Baptist pamphlet, 55 arguments
Timothy [attr. Williams, Thomas (Rev.) or Holmes, Sylvester (Rev.)] FIFTY-FIVE REASONS FOR NOT BEING A BAPTIST
$350.00Gene W. Baade Books on the West
(New Bedford?): Titus, 1830. First Edition. Soft cover. Good. Item #5005080 “By Timothy.” (Columbia University identifies “Timothy” as Rev. Thomas Williams, 1779-1876. However OCLC identifies him as Rev. Sylvester Holmes.). FIFTY-FIVE REASONS FOR NOT BEING A BAPTIST. Printed in New-England (New Bedford?) / by / TITUS…1830. Printed wrappers, string-tied. (12pp). A rather remarkable point by point argument why a Christian should not be a Baptist, many of the points having to do with baptizing by immersion. Point # 11 gives you a picture of the author’s argument: “Not a shadow of evidence appears that the first Christian Baptism, administered to THREE THOUSAND on the day of Pentecost, was by plunging. Acts 2: 41.” Thomas Williams was a Congregationalist minister and a graduate of Yale. He was a missionary in New York and later served several parishes in New England. Several of his booklets / tracts were published. Less is known or available about Holmes. A rare pamphlet found in only a few theological schools and others. Light foxing. Obvious small chips on some leaves. RARE.
Offered for Sale by: Gene W. Baade Books on the West
