Gene W. Baade Books on the West
Gene W. Baade Books on the West
Membership(s): IOBA
Wisconsin)
Wisconsin) Rhinelander, Wisconsin Victorian Photo Album
$100.00
n. a. No publisher, 1900. Soft cover. Very Good.
VICTORIAN PHOTO ALBUM RHINELANDER, WISCONSIN. Circa 1900. Rhinelander is situated in the Northwoods of Wisconsin 55 miles north of Wausau & 90 miles south of Lake Superior. It was a booming logging community in the 1880s and for many years. 8 1/2″ x 10 3/4″ red clothbound cabinet photo album with decorated metal corner pieces, a metal clasp & a mirror in the middle. Binding is in vg+ condition. The velvet pile is mostly worn away on the front cover & moderately so on the back cover. There is moderate soiling. Inside are 33 cabinet portraits. 25 are from Rhinelander photographers (exactly imprinted as: Wolcott, C. Krueger, B.F. Kaler (“successor to Krueger”), Carl Krueger, Krueger & Co., V.E. Wolcott, and Banister & Tibbitts). Other portraits: Knudsen of Waupaca, Towne of Shelby, Michigan, Winkle of Wautoma, James of Waupaca, & Warmbold of Chicago. Only two photos have names supposedly of the subjects on the back: “Emma & Mennia B.” (the Selby, Mich. photo) & “ada” on a C. Krueger photo. While most of the photos are adults presented conventionally for the time, a handful have added photo interest compositionally, or with children as the subject (8 children portraits, plus a couple of family portraits). All the photos have been very carefully removed for examination & reinserted back into their album pockets. Most are in vg or better condition. Some have some light rubbing or flecking. One has a couple of thumbnail size orange stains. Most of the photo page mounts are in generally very good condition with several having a torn or chipped entry slot, and two with the bottom strip missing. There are three pages without a photo (one double sided leaf vacant on both sides, & one leaf with one side vacant). A nice set of period photos from a popular Northern Wisconsin and Northwoods city.
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Gideon, D. C.
Gideon, D. C. INDIAN TERRITORY Descriptive Biographical and Genealogical including the Landed Estates, County Seats Etc., Etc. with a General History of the Territory in One Volume
$1,996.00Gene W. Baade Books on the West
NYC and Chicago: Lewis, 1901. First Edition. Hardcover. Good. Item #2206028 1st printing. Beautifully rebound in three-quarter leather and cloth with gilt titles (slightly flaked) on spine and with new endpapers. 956pp. 100 photogravure portraits plus several other photos. A. E. G. (all edges gilt). Originally owned by and with the signature (three times) of “H. S. Suggs, Berwyn I. T.” The second Suggs signature was on a chipped sheet & in rebinding the binder affixed it to a sheet of matching tone and bound it in. The third signature of Mr. Suggs is written along the inner margin of where he is in the book (pps. 580-581). Suggs “… came to Berwyn in the Indian Territory, where he continued in the lumber business [from Texas] and also ran a cotton gin until 1901, when he sold his gin and is now engaged in the hardware and lumber business . . . he is interested [also] in the cattle business, and firm being known as Suggs and Brother.” The brother, Sidney Suggs, has an even longer entry in the volume and a portrait. A glossy photo of him and his family is laid in. It is printed from the archives of the Okla Hist Soc. One leaf (pps 931-932) was once detached but has been tipped back in. It has tears radiating out from the gutter and has 3 1/2″ x 1 1/2″ inch loss of text in the middle of the page. Title page has two edge chips. One index sheet has old cloth tape edge repairs. Throughout there are some edge tears that have not been repaired, but we have discovered none of a serious nature. Many tissue guards are missing. There is some browning/foxing on some pages, but not extensively. Some page corners are rounded from use. We have conservatively graded this copy “good,” but in our view with experience in these kinds of volumes, if it were in our personal collection we would have no issue grading it very good. Adams (Six-guns 1107) says, “Has a long section on all the outlaws of the Indian Territory, including the Dalton gang and the Cook gang …” [but Adams adds the author is mistaken about Belle Starr’s brother & repeats false information about her]. In this section there is glowing information on the famous Black Man, Deputy. U. S. Marshal Bass Reeves, and an account of one of his captures of outlaws involving gunplay. An Oklahoma rarity. Howes G158. less
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Glaister, Donald
Glaister, Donald Brooklyn Bridge A Love Song
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Cleveland: Foolsgold Studio, 2002. Folio. 28 pp. Limited edition, this is #40 of 60 copies (10 being held hors commerce). Signed by Glaister at the colophon. Backed in gray Nigerian goatskin with sanded aluminum sides, as issued, in felt-lined aluminum box with aluminum label. Prospectus, with minor soiling, laid in. A fine copy of this visually stunning artist book. Glaister describes the production in the prospectus: 14 leaves of 10 mil aluminum, attached to paper hinges. The book opens with an 18-line poem by Glaister in Avant Garde and is silkscreen printed on sanded aluminum. This is followed by five page-spread paintings of the bridge, seen from different angles, times of day, and times of year. Alternating between the paintings are sets of abstract studies, nine in all, that explore the essence of bridgeness. They are likewise made of sanded aluminum with acrylic paint, wire, aluminum tape, laminated polyester film and sand. The studies are mounted onto the aluminum pages. A visually striking celebration of the Brooklyn Bridge. The artist describes this best in the prospectus: “The story of the Bridge is one of opposites. The story of huge mass and lacy delicacy, of ancient and modern, of vitality and disease and death, of honor and corruption, of social vision and common greed. It is the story of links. The linking of East to West, of the agrarian past to the industrial future, of stone to steel, and of course of Brooklyn to Manhattan. Brooklyn Bridge: A Love Song visually and emotionally tells this story. The book is truly a love song. It sings of the elegance, power and invention of this great American icon.” This is the first artist book by Glaister who is one of the foremost design bookbinders practicing today. Glaister carved a path blending classical European bookbinding technique while exploring unexpected and untraditional materials and expression. His bindings appear in private collections throughout North American and Europe and in many of the most important institutions. less
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Slatzer, Robert F. (Director) Anthony Cardoza, Bill Reardon, & Herman Tomlin (Producers
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$650.00Gene W. Baade Books on the West
RARE DRAMATIC BIGFOOT MOVIE POSTER, Ellman Film Enterprises. 1970. The over-the-top film, BIGFOOT, produced in 1970 by Anthony Cardoza and Bill Reardon, was panned by everyone, with virtually no one saying it was any good. One wag said that it would be the only opportunity to see John Carradine, Joi Lansing, Judy Jordan, John Mitchum, James Craig, and several other actors all together in one movie, so you better see it anyway! The only poster for this film that one finds for sale is the common one that you can buy on several websites for very little money. But that one is like cheap, 3-year old Scotch compared with 50-year old good stuff that you will find in Edinburgh whisky shops under lock and key and that I cannot afford. I frankly don’t know about this poster in terms of whether it was an advance or trial poster that didn’t make the cut, or wasn’t produced en masse for some other reason. It is far more classical in appearance than the cheap cartoonish one you can still get for a few bucks. Unrolled to a size of 27 ¼” x 39 ¾”, it takes up almost all of my golden oak antique kitchen table and half of my standard-size bed! It is professionally backed on linen. In spite of one long tear and several short tears, all of which are professionally and archivally repaired, this poster ends up being showy, good-looking, and impossible to ignore, a poster that would dominate the conversation of any beer and brats forest cookout-“Have you seen that poster?!” It will bust the balls of any hairy-chested man-cave dweller and, because it is also a “biker” film, salt the seats of Harley-Davidson rally-goers on their way to Sturgis! Bigfoot filmography author David Coleman in his massive book, 2012 book, The Bigfoot Filmography: Fictional and Documentary Appearances in Film and Television, devotes two quarto pages to description of the film. He includes these gems: “Bigfoot is perhaps the most entertainingly bad Bigfoot movie of the entire ‘cycle’ . . . given the strange blending of motorcycles, ridiculously bad Bigfoot costumes, has-been actors, bikini babes, and a mutant music score, the entire enterprise is truly a slow-paced, stupefying descent into all things torpid, but with a camp sensibility that redeems Bigfoot from total boredom. Then, from a historical perspective, he concludes: the film “marks the beginning of a new era in the genre that draws a clean dividing line between the earlier film incarnations of the ‘wild man’ cryptid appearing mostly in snow settings as a Yeti (and) set(s) the stage for the plethora of Big-foot focused movies to follow in the 1970s.” This is an essential poster for few people who have the wall-space to hang it. It would be one the poster you would frame and hang front and center over your giant fieldstone fireplace at one end of your room with the 20-foot vaulted ceiling. Unquestionably rare. less
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Ball, Charles.
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$1,200.00Lewistown, PA: Printed and Published by John W. Shugert, 1836. First edition. The subtitle continues “Containing an account of the manners and usages of the Planters and Slaveholders of the South, a description of the condition and treatment of the Slaves, with observations upon the state of morals amongst the cotton planters, and the perils and sufferings of a fugitive slave, who twice escaped from the cotton country.” Rare first edition of this important slavery narrative by Ball, one which covers forty years of his life as a slave and his several escapes, an account reprinted many times through the 1850s under various titles. Born into slavery in Maryland around 1780, separated from his mother when he was four, he was owned by several different masters and lived in three states. Attempting escape on numerous occasions, he eventually succeeded and lived on a small farm until he was recaptured in 1830. However, he escaped again, and moved to Philadelphia, where he wrote this autobiography with the assistance of Isaac Fisher, a white lawyer. Fisher’s preface in which he acknowledges omitting or ‘carefully suppressing’ Ball’s opinions on slavery, cast some doubt upon the authenticity of this work, but the second edition, just one year later, included a statement from two prominent Pennsylvanians “that we know the black man whose narrative is given in this book, and have heard him relate the principal matters contained in the book concerning himself, long before the book was published.” Two page preface by Isaac Fisher. Errata list on verso of title page. 400 pp, Fair condition only in original boards, resewn and rebacked with dark brown goatskin, endpapers replaced. Significant rubbing and wear to the edges of the boards, tidemarks and foxing throughout. Â Loss of approximately half an inch to the bottom edge of the first leaf after the title (the preface). less
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