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Membership(s): IOBA, ESA, CALIBA
Babitz, Eve (1943-2021) SEX AND RAGE: Advice to Young Ladies Eager for a Good Time
$950.00
New York: Alfred A. Knopf, 1979.
The third book by this 1970s Los Angeles “it girl”, an autobiographical novel in which Jacaranda revels in the pleasures of being a sexy beach bum in Los Angeles until after too many nights of “14 white ladies” she wakes up and takes an opposite path, moving to New York and a world of focus and work.
This novel has been described as one which solidified “her place as a singularly important voice in Los Angeles literature—haunting, alluring, and alive.” SIGNED on title page and scarce thus. 227 pp.
Very near fine in a near fine dustjacket (minor wear at the head of the dj spine)
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Duchamp's own Dada gesture: the crumpled catalog
Duchamp, Marcel; Janis, Sidney DADA 1916–1923 Catalog of the Exhibition
$7,500.00The Manhattan Rare Book Company
DUCHAMP, MARCEL; JANIS, SIDNEY. DADA 1916–1923: Catalog of the Exhibition “Dada tried to destroy, not so much art, as the idea one had of art, breaking down its rigid borders, lowering its imaginary heights – subjecting them to a dependence on man, to his power – humbling art, significantly making it take its place and subordinating its value to pure movement which is also the movement of life.” The catalog is “a Dada gesture to cancel the ‘seriousness’ of exhibition catalogues.” — Marcel Duchamp DUCHAMP’S FAMOUS “CATALOG” FOR THE CELEBRATED 1953 DADA RETROSPECTIVE. “Duchamp planned, organized, and installed a major historical show of international Dada at the Janis Gallery in 1953. More than two hundred works of art and documents were on view, each one identified in a Duchamp-designed ‘catalog’ that was itself pure Dada – a tissue-thin broadsheet with written texts (by Jean Arp, Richard Huelsenbeck, Jacques-Henri Lévesque, and Tristan Tzara) in contrasting typefaces, set in narrow columns that ran diagonally down the page. When the sheets were delivered to the gallery, Duchamp took one, crumpled it up into a ball, and told Janis to mail it as it was, and Janis did so, to the confusion of numerous art lovers who wondered why they were being mailed trash. (A wicker basket of crumpled catalogs stood beside the gallery door at the opening.) “Duchamp was represented in Janis’s Dada show by four works: Tu m’, his last painting on canvas; To Be Looked at (from the Other Side of the Glass) with One Eye, Close to, for Almost an Hour, the glass study he had done in Argentina; the ready-made Fresh Widow; and Janis’s replica of Fountain, installed over the door at the entrance, with a sprig of mistletoe dangling from its inverted bowl.” (Calvin Tomkins, Duchamp: A Biography, 378-9). With text by Hans Arp, Richard Huelsenbeck, Jacques-Henry Lévesque, Tristan Tzara; Arp’s and Tzara’s texts were translated by Duchamp. Ref. Schwarz 543. New York: Sidney Janis Gallery, 1953. Single sheet of thin tissue-like paper, 25×38 inches (96.5×63.5 cm). It’s possible this example was crumpled, but it clearly has been stored flat and folded now for some time. With closed tear at center (with no loss); a few tiny tears at folds and edges. Housed in custom cloth box. Rare in such good condition. AN ESSENTIAL PIECE OF DADA HISTORY.
Offered for Sale by: The Manhattan Rare Book Company -
Rare First of the Gay Cult Classic
Andrew Holleran [Eric Garber] Dancer from the Dance
$750.00New York: William Morrow, 1978. First Edition. Hardcover. 8vo., 250 pp. A tight and clean copy with price [$9.95] intact on front flap. Item #400085. Very nice first edition of this landmark novel in American gay literature, celebrated for its lyrical prose and haunting depiction of gay life in the 1970s. Set primarily in New York City and Fire Island, the novel follows the beautiful and idealistic Malone, a young lawyer who abandons conventional life to immerse himself in the hedonistic world of gay nightlife. Through the eyes of Sutherland, a witty and world-weary drag queen and social guide, readers experience a dazzling yet melancholy panorama of discos, bathhouses, and endless pursuit of love and beauty. The tone is both romantic and elegiac—alternating between the ecstatic liberation of gay culture in the post-Stonewall era and a profound sense of loneliness and spiritual longing. Holleran’s prose is lush and poetic, suffused with both irony and heartbreak, capturing the fleeting joys of sexual freedom and the emotional costs that often accompanied it. When it was published, Dancer from the Dance was among the first major novels to portray gay men’s lives openly and without apology, preceding the AIDS crisis but foreshadowing its emotional aftermath. Its mix of glamour, tragedy, and moral reflection helped establish a new voice in queer fiction and influenced generations of LGBTQ writers. The novel remains a touchstone of gay identity and self-discovery, often compared to The Great Gatsby for its depiction of beauty, excess, and yearning in a community searching for meaning amid the dance of desire.
Offered for Sale by: 32.1 Rare Books + Ephemera -
Advance reading copy of 1st book in Wheel of Time
Jordan, Robert THE EYE OF THE WORLD. Book One of The Wheel of Time
$950.00Edition: Advance Reading Copy (trade paperback format.) New York: Tom Doherty Associates, 1990. First edition – The first book in the most acclaimed fantasy series of our time. Laid in is a letter from the publisher in which he states that this can be compared favorably to such classics as Tolkien’s Lord of the Rings. A review in the New York Times commented that “Jordan has come to dominate the world that Tolkien began to reveal.” This advance issue has a different cover than the trade edition, but underneath the cover is a double page spread with that art. Glossary. 670 pp. Condition: Very near fine in glossy illustrated wrappers (appears unread). Book ID: 92722
Offered for Sale by: Bookfever.com -
Signed Feynman Nobel offprint — one of two known
Feynman, Richard P. Les Prix Nobel En 1965 The Development of the Space-Time View of Quantum Elektrodynamics Nobel Lecture
$22,500.00The Manhattan Rare Book Company
EXTREMELY RARE SIGNED FIRST EDITION OFFPRINT OF FEYNMAN’S NOBEL PRIZE LECTURE Feynman fancied himself a man who could see through the fluff. When asked by the BBC whether his findings deserved a Nobel Prize, Feynman classically responded: “I’ve already got the prize. The prize is the pleasure of finding the thing out, I don’t believe in honors.” This attitude—what Feynman himself coined, “a disrespect for the respectable,”—was a product of his upbringing. As a young boy, Feynman’s father, a uniform salesman, would often attempt to teach the young Feynman a lesson, opening a photo in the New York Times and showing Feynman an image of the Pope or a politician, surrounded by bowing admirers. He would then ask Feynman what made the Pope different from the ‘ordinary’ people around him. The answer, his father explained, was in the man’s uniform, his title, and his prizes. [Sykes, “The Pleasure of Finding Things Out”]. This early ‘disrespect for the respectable’ was intertwined with Feynman’s approach to knowledge. He detested false certainty: those who used big words without knowing their meanings, or theorized without understanding basic principles. This attitude is reflected in his scientific approach. Colleagues recalled how, when they presented theories to him, Feynman would make them explain their ideas from the ground up. Starting with elementary questions, he would force them to build their arguments from the simplest foundations. Inevitably, at some point, a hole in the theory would appear—revealed by Feynman’s method of thinking from bedrock knowledge [Sykes; Leighton]. Perhaps Feynman disliked awards because he understood them as working as an opposite process: creating differences not on bedrock, but on the basis of status conferred by, what he saw as, detached ceremonies in far off lands. It’s also difficult to gauge if this attitude was wholly genuine. Feynman was a showman. Stories abound of Feynman’s muted reaction to the Nobel. When awoken by a reporter at 3:00 AM, told of his award, and asked if he was pleased, Feynman responded, “I could have found out later in the morning.” When, at a more reasonable hour, a reporter asked if there was a simple explanation of what he had discovered, Feynman—who never lacked for words—responded that, “there certainly must be… but I don’t know what it is”[Douglas Smith]. For all of his public lack of concern in titles and distinction, by the time of his 1965 Nobel ceremony, Feynman seemed to have experienced a shift. In his acceptance speech, Feynman remained deeply critical of false knowledge. But he also expressed that honors “can generate good feeling, even love among men, even in lands far beyond [their] own.” As Feynman identified it, after the joy of discovery, comes a more personal occurrence: “the prize, and a deluge of messages — from friends, from relatives, from students, from former teachers, from scientific colleagues, from total strangers…..The prize was a signal to permit them to express and me to learn about their feelings. Each joy, though transient still, repeated in so many places, amounts to a considerable sum of human happiness. And each note of affection, released thus one upon another, has permitted me to realize a depth of love for my friends and acquaintances, which I had never felt so poignantly before.” As part of his Nobel acceptance, Feynman delivered a much-awaited lecture on his winning research, titled “The Development of the Space-Time View of Quantum Electrodynamics”. Perhaps unsurprisingly, Feynman took a personal tone in this address, tracing his personal and intellectual relationship with Quantum Electrodynamics (QED). Feynman reflected that, as an undergraduate at MIT, he had been most inspired by reading German-Jewish Physicist Walter Heitler, and English Physicist and Mathematician Paul Dirac. What stood out most to him in Dirac’s texts were not his calculations but Dirac’s motions to the theory’s incompleteness. This incompleteness, Feynman labeled both, “a challenge and an inspiration.” Throughout the lecture, Feynman detailed the development of his theorization and scientific thinking: “My general plan was to first solve the classical problem, to get rid of the infinite self-energies in the classical theory, and to hope that when I made a quantum theory of it, everything would just be fine.That was the beginning, and the idea seemed so obvious to me and so elegant that I fell deeply in love with it.” Feynman’s Nobel lecture is packed with detailed anecdotes, explorations of QED, and reflections on the purpose of scientific inquiry—particularly inquiry which is unafraid to approach problems from multiple angles. Throughout his address, Feynman maintains a strong commitment to the idea that incorrect science is not a failure but a vital part of progress. Missteps, he suggests, are essential to discovery; they open the doors through which other advancements can emerge. Feynman reflected: “It is most striking that most of the ideas developed in the course of this research were not ultimately used in the final result…. But, if my own experience is any guide, the sacrifice [of discarded ideas] is really not great because if the peculiar viewpoint taken is truly experimentally equivalent to the usual in the realm of the known there is always a range of applications and problems in this realm for which the special viewpoint gives one a special power and clarity of thought, which is valuable in itself.” The Feynman speaking in this lecture is recognizable for his enthusiastic approach to dense physics, his charismatic telling of a tall tale, and his unflinching certainty that knowledge can not be granted, but must be earned. The Feyman offprint is signed and dated, “Richard P. Feynman / 7.20.66”. It was signed for Peter Zimmerman, an American Ph.D. candidate in physics at Lund University in Sweden. Zimmerman later worked for the United States Arms Control and Disarmament Agency. With an autograph note from Feynman’s secretary Better Brent (dated 7-20-66) to Peter Zimmerman titled “Nobel Lecture” and answering a question from Zimmerman concerning changes between the delivered speech and the printed form. (Brent had typed the speech from the recording of the speech and noted that she made no major changes.) Also with an inscribed first printing of Robert Hofstadter’s lecture for the Nobel Prize in Physics for 1961 titled, “The Electron Scattering Method and its Application to the Structure of Nuclei and Nucleons”. Inscribed “To Pete Zimmerman / with compliments of / the author. / R. Hofstadter.” Stockholm, Sweden: The Nobel Foundation, 1966. Thin octavo, original printed wrappers. Fading around wrapper edges; mild imprint from paperclip at top of rear wrapper and final page. With autograph note from Feynman’s secretary Bette Brent and invitation to the 1965 Nobel Prize banquet. Also with: HOFSTADTER, ROBERT. Les Prix Nobel en 1961: The Electron Scattering Method and its Application to the Structure of Nuclei and Nucleons. Stockholm, Sweden: The Nobel Foundation, 1962. Thin octavo, original wrappers. Some toning around the edges. Housed together in custom box. EXCEEDINGLY RARE: We are aware of only one other signed offprint of Feynman’s speech that has been on the market. References:-Nobel Prize Official Website -Ralph Leighton, interview by Stephen Dubner , “The Curious Mr. Feynman,” Freakonomics Radio, January 21, 2024, podcast audio, transcript, Freakonomics -Richard P. Feynman, “Banquet Speech” (speech delivered at the Nobel Banquet, Stockholm, December 10, 1965) -Smith, Douglas. “Feynman’s Nobel Year.” Cal Tech Local, October 21, 2015. -“The Pleasure of Finding Things Out.” Christopher Sykes, 1981; video.
Offered for Sale by: The Manhattan Rare Book Company
