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Michael Pyron, Bookseller ABAA/ILAB
Buying and selling fine, antiquarian, and used book
Membership(s): ABAA, ILAB, IOBA
Lincoln, Abraham Message of the President of the United States to the Two Houses of Congress at the Commencement of the Third Session of the Thirty-Seventh Congress [Emancipation Proclamation, State of the Union Address]
$325.00
Washington: Government Printing Office, 1862. Cloth. Good binding.
Octavo. 910 pp. First edition, thus. As issued, in publisher’s embossed cloth; spine titled, “Messages / and / Documents. / 1862-63. / Part 1. / Abridgment. / Senate.” Binding is sunned at the spine; relatively minor wear to the extremities; evidence of moisture exposure to the binding, but more pronounced to the first and last several leaves where there are early tidelines, but it does not extend to the body of the text with any consistency; occasional scattered foxing.
This contains Lincoln’s second “State of the Union,” though at that time, it was a printed message, rather than an address. In this message Lincoln tangles with the year and a half old civil war and his struggle to preserve the Union while wrestling with the central impasse of the rebellion—slavery. A remarkable address that contains at the conclusion one of his memorable lines, “The dogmas of the quiet past are inadequate to the stormy present. The occasion is piled high with difficulty, and we must rise with the occasion. As our case is new, so we must think anew and act anew. We must disenthrall ourselves, and then we shall save our country” (p. 23). Of profound importance and one of Lincoln’s boldest moves to “rise with the occasion,” this volume contains the 22 September 1862 preliminary Emancipation Proclamation, the final version would be issued and enforced a month after Lincoln’s message. The idea of an executive action that would free the slaves in states that were in open rebellion with the Union came in the summer of 1862. An early version of the proclamation was read by Lincoln to his cabinet in July 1862. On the advice of Secretary of State William Seward, this penultimate version of the proclamation was thought to be more effective if issued after a significant Union victory—that victory turned out to be at Antietam. The Emancipation Proclamation is among the most important documents in United States history and this preliminary version (though largely consistent with the final) offers a glimpse into Lincoln’s steps towards the abolition of slavery in service of the preservation of the Union.
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Rare 1830 anti-Baptist pamphlet, 55 arguments
Timothy [attr. Williams, Thomas (Rev.) or Holmes, Sylvester (Rev.)] FIFTY-FIVE REASONS FOR NOT BEING A BAPTIST
$350.00Gene W. Baade Books on the West
(New Bedford?): Titus, 1830. First Edition. Soft cover. Good. Item #5005080 “By Timothy.” (Columbia University identifies “Timothy” as Rev. Thomas Williams, 1779-1876. However OCLC identifies him as Rev. Sylvester Holmes.). FIFTY-FIVE REASONS FOR NOT BEING A BAPTIST. Printed in New-England (New Bedford?) / by / TITUS…1830. Printed wrappers, string-tied. (12pp). A rather remarkable point by point argument why a Christian should not be a Baptist, many of the points having to do with baptizing by immersion. Point # 11 gives you a picture of the author’s argument: “Not a shadow of evidence appears that the first Christian Baptism, administered to THREE THOUSAND on the day of Pentecost, was by plunging. Acts 2: 41.” Thomas Williams was a Congregationalist minister and a graduate of Yale. He was a missionary in New York and later served several parishes in New England. Several of his booklets / tracts were published. Less is known or available about Holmes. A rare pamphlet found in only a few theological schools and others. Light foxing. Obvious small chips on some leaves. RARE.
Offered for Sale by: Gene W. Baade Books on the West -
Barnard's Beautifully Reproduced Photographs
Barnard, George N. Photographic Views of Sherman’s Campaign Embracing Scenes of the Occupation of Nashville, the Great Battles around Chattanooga and Lookout Mountain, the Campaign of Atlanta, March to the Sea, and the Great Raid through the Carolinas
$7,500.00Michael Pyron, Bookseller ABAA/ILAB
Herman Manasse, after 1953. Oblong folio. [3], [61] ll. Photographic reproduction. All pages are photographic paper (likely sliver gelatin prints), stubbed and bound in cloth boards, backed in morocco. Binding is 16″ x 19.” Cover titled in gilt with presentation name in gilt below: “Mr. and Mrs. T. Harry Gatton.” The first leaf, is a photographic reproduction of the endpaper of the original copy capturing an ownership note in French, dated 1952. This note, along with a printed inclusion (also part of the photograph), identifies the copy used for reproduction as belonging to G. M. ver Hulst having come to him from his uncle, the Comte Francois de Montholon who died 23 December 1951. The printed inclusion notes that this reproduction was done “by Herman Manasse especially for Mr. & Mrs. T. Harry Gatton of Raleigh, North Carolina.” We use the endpaper inscription as the earliest possible date of reproduction. Based on the physical aspects of the book, it was probably done not long after that time. Only light wear to the binding. The “contents” leaf has a small closed tear to the top margin; rippling to the photographs throughout. It appears that during the rephotographing process the border of each photograph was masked off, except for each photograph’s title. Count Montholon’s copy was exceptionally clean making this a remarkably good reproduction, a couple of the images capture some abrading to the original, but generally, these are very clean, bright images of one of the great American photographic works. As official photographer of the Military Division of Mississippi, Barnard photographed Sherman’s march to the sea, capturing the devastation left in the wake of the general’s controversial scorched earth campaign. The images are indeed striking. A contemporary review calls this, “a splendid volume, containing 61 imperial photographs, embracing scenes of the Occupation of Nashville, the Great Battles around Chattanooga and Lookout Mountain, the Campaign of Atlanta, March to the Sea, and the Great Raid through the Carolinas. These photographs are views of important places, of noted battle-field, of military works; and, for the care and judgment in selecting the points of view, for the delicacy of execution, for scope of treatment, and for fidelity of representation, they surpass any other photographic views which have been produced in this country—whether relating to the war or otherwise.” Harper’s Weekly, Dec. 8, 1866. p. 771. And indeed, it has held up as a monument of American photography. While the first edition does come to market periodically, it realizes some extraordinary prices. We’ve been unable to determine how many copies of this full-sized reproduction were created. Though the inclusion on the first leaf specifically states that this copy was for Gatton, a series of cards could have been substituted as the leaf was repeatedly photographed, individualizing each copy. So, while it is certainly possible that this is a one-off, it is more likely that a very small number were reproduced and presented to friends, family, and notables. To that end, Thomas Harry Gatton (1918-2001) was a notable North Carolinian. Beyond his professional endeavors, he was a World War II veteran, chairman of the North Carolina Historical Commission, and was appointed to the American Battle Monuments Commission by presidents Kennedy, Johnson, and Carter. In short, one to whom this presentation would have been warranted and meaningful. Howes B-150; Sabin 3462; De Renne p.1317 (all for the first edition), Taft, Photography and the American Scene, p. 232, 486.
Offered for Sale by: Michael Pyron, Bookseller ABAA/ILAB -
Rare Bigfoot Movie poster
Slatzer, Robert F. (Director) Anthony Cardoza, Bill Reardon, & Herman Tomlin (Producers BIGFOOT, RARE 1970 MOVIE POSTER
$650.00Gene W. Baade Books on the West
RARE DRAMATIC BIGFOOT MOVIE POSTER, Ellman Film Enterprises. 1970. The over-the-top film, BIGFOOT, produced in 1970 by Anthony Cardoza and Bill Reardon, was panned by everyone, with virtually no one saying it was any good. One wag said that it would be the only opportunity to see John Carradine, Joi Lansing, Judy Jordan, John Mitchum, James Craig, and several other actors all together in one movie, so you better see it anyway! The only poster for this film that one finds for sale is the common one that you can buy on several websites for very little money. But that one is like cheap, 3-year old Scotch compared with 50-year old good stuff that you will find in Edinburgh whisky shops under lock and key and that I cannot afford. I frankly don’t know about this poster in terms of whether it was an advance or trial poster that didn’t make the cut, or wasn’t produced en masse for some other reason. It is far more classical in appearance than the cheap cartoonish one you can still get for a few bucks. Unrolled to a size of 27 ¼” x 39 ¾”, it takes up almost all of my golden oak antique kitchen table and half of my standard-size bed! It is professionally backed on linen. In spite of one long tear and several short tears, all of which are professionally and archivally repaired, this poster ends up being showy, good-looking, and impossible to ignore, a poster that would dominate the conversation of any beer and brats forest cookout-“Have you seen that poster?!” It will bust the balls of any hairy-chested man-cave dweller and, because it is also a “biker” film, salt the seats of Harley-Davidson rally-goers on their way to Sturgis! Bigfoot filmography author David Coleman in his massive book, 2012 book, The Bigfoot Filmography: Fictional and Documentary Appearances in Film and Television, devotes two quarto pages to description of the film. He includes these gems: “Bigfoot is perhaps the most entertainingly bad Bigfoot movie of the entire ‘cycle’ . . . given the strange blending of motorcycles, ridiculously bad Bigfoot costumes, has-been actors, bikini babes, and a mutant music score, the entire enterprise is truly a slow-paced, stupefying descent into all things torpid, but with a camp sensibility that redeems Bigfoot from total boredom. Then, from a historical perspective, he concludes: the film “marks the beginning of a new era in the genre that draws a clean dividing line between the earlier film incarnations of the ‘wild man’ cryptid appearing mostly in snow settings as a Yeti (and) set(s) the stage for the plethora of Big-foot focused movies to follow in the 1970s.” This is an essential poster for few people who have the wall-space to hang it. It would be one the poster you would frame and hang front and center over your giant fieldstone fireplace at one end of your room with the 20-foot vaulted ceiling. Unquestionably rare.
Offered for Sale by: Gene W. Baade Books on the West -
Inscribed unpublished Eckert screenplay typescript
Eckert, Allan W. THE FRONTIERSMEN An Original Screenplay
$450.00By the author, 1967. An unpublished, unproduced screenplay for an 8-hour television mini-series based on his 1967 book “The Frontiersman,” Â Volume I of his The Winning of America series. The manuscript is a professional screenplay presentation which includes the first two chapters (one hour’s length each) of the proposed mini-series — 52 manuscript pages for Chapter One, plus 5 pages of front-matter, including a map, and 56 pages for Chapter Two, plus 3 pages of front-matter — plus a concluding 7-page synopsis of the remaining 6 hours of the proposed mini-series. The entire manuscript is bound in a heavy softcover binder in presentation form by Eckert’s film agents, ICM (International Creative Management). INSCRIBED by Eckert on the first page of the screenplay. Condition: Fine. Book ID: 92498
Offered for Sale by: Bookfever.com
